As a nonbinary trans guy, I grew up obsessed with novels about women disguising themselves as men. I loved everything about the trope, and always felt disappointed when they had to go back to living as women. It is a trope I eagerly embraced when I wrote Shrouded Loyalties, and though I didn’t yet know the term “transgender,” I was already exploring my own gender identity through my reading and writing of this theme. The books I’ve chosen to highlight here are ones that became some of my very favorites, and also feature action-packed wartime settings like the one used in Shrouded Loyalties.
The Thousand Nameshas one of the most unique protagonists and refreshing settings I’ve seen. Winter Ihernglass is disguised as a male soldier in a world of gunpowder and muskets, and ancient demons that can be released with the right magic. I loved watching Winter advance through the ranks and prove her brilliance time and time again. She continues to disguise herself throughout the series, even as women are allowed into the army and more people become aware of her gender, leading me to believe that the look is less a disguise and more her actually living as she truly wants to: as a transgender man in a world that doesn’t yet have a name for it.
Set in an alternate nineteenth century, muskets and magic are weapons to be feared in the first "spectacular epic" (Fantasy Book Critic) in Django Wexler's Shadow Campaigns series.
Captain Marcus d'Ivoire, commander of one of the Vordanai empire's colonial garrisons, was serving out his days in a sleepy, remote outpost-until a rebellion left him in charge of a demoralized force clinging to a small fortress at the edge of the desert.
To flee from her past, Winter Ihernglass masqueraded as a man and enlisted as a ranker in the Vordanai Colonials, hoping only to avoid notice. But when chance sees…
Based on a true story, this book was a treasure of a find, detailing the rebellion of artists in Nazi-occupied Belgium in 1943. Helene, a girl disguised as a male newspaper hawker, is only a side character – a cog in the machine of the farce newspaper being published by the rebels – but her incredible voice brings the movement to life, while expertly weaving in her own questions about gender and sexuality in a world she’s not sure has a place for her. The author later came out on the nonbinary spectrum as well, which really brought home for me how many of us explore our identities through our writing before coming to terms with significant truths about ourselves.
In this triumphant debut inspired by true events, a ragtag gang of journalists and resistance fighters risk everything for an elaborate scheme to undermine the Reich.
The Nazis stole their voices. But they would not be silenced.
Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers.
With a vibrant steampunk setting that pits airships against fantastical creatures, Leviathan follows the story of Deryn Sharp, who joins the air service disguised as a male soldier. The second character we follow is a young prince disguised as a commoner, trying to flee the country Deryn is fighting. This is my favorite type of story, told in the same way as in my book: with tight points of view from drastically different characters on opposing sides of a war, who both have big secrets that could destroy them if the other finds out. Action-packed and daring, it was everything I’d hoped for when I picked it up.
Two opposing forces are on the brink of war. The Clankers - who put their faith in machinery - and the Darwinists - who have begun evolving living creatures into tools. Prince Aleksandar, the would-be heir to the Austro-Hungarian throne, comes from a family of Clankers, and travels the country in a walker, a heavily-fortified tank on legs. Meanwhile Deryn Sharp, a girl disguised as a boy, works for the British Empire, crewing the ultimate flying machine: an airship made of living animals. Now, as Alek flees from his own people, and Deryn crash-lands in enemy territory, their lives are…
This is slightly outside the boundaries of a wartime novel, as it takes place in the Old West, but it’s a fantastic book for this list, and shouldn’t be overlooked if you love this trope. Jess Harney makes a name for herself as a notorious male sharpshooter and outlaw. Her first-person voice is one of the most interesting I’ve read, and I loved how she fit in as one of the guys while never sacrificing who she was. She barely even thinks about her gender as she so naturally considers herself male. Books like this really highlight the blurred lines between cross-dressing out of necessity or desire, and I’m excited to see more authors addressing this trope with the nuance of queerness which is often part of it.
Named a Best Book by Entertainment Weekly, O Magazine, Goodreads, Southern Living, Outside Magazine, Oprah.com, HelloGiggles, Parade, Fodor's Travel, Sioux City Journal, Read it Forward, Medium.com, and NPR's All Things Considered.
"A thunderclap of originality, here is a fresh voice and fresh take on one of the oldest stories we tell about ourselves as Americans and Westerners. It's riveting in all the right ways -- a damn good read that stayed with me long after closing the covers." - Timothy Egan, New York Times bestselling author of The Worst Hard Time
This Asian historical fantasy is no simple Mulan retelling, but a deep dive into fate and desire, and the thin line that separates them from each other. Zhu Chongba disguises herself as a male because she decides to steal her dead brother’s destiny of greatness. Though some elements of needing to disguise her gender come up, the story is centered on a strong-willed character’s determination to become exactly who she deserves and wishes to be – a male warrior who takes fate into her own hands to make the world hers. For her, the male appearance is not a disguise, but a destiny. It’s an incredibly powerful story that I couldn’t put down. Parker-Chan is also on the nonbinary spectrum, and writes this queer character with expertise and passion.
Naval officer Mila Blackwood is determined to keep her country’s most powerful secret – shrouding, the ability to traverse their planet in seconds through an alternate realm – out of enemy hands. But spies are everywhere: her submarine has been infiltrated by a Dhavnak agent, and her teenage brother has been seduced by an enemy soldier. When Blackwood’s submarine is attacked by a monster, she and fellow sailor, Holland, are marked with special abilities, whose manifestations could end the war – but in whose favor? Forced to submit to military scientists in her paranoid and war-torn home, Blackwood soon learns that the only people she can trust might also be the enemy.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
